Archive for the ‘Sergei Prokofiev’ Category

My Salon, A Thank-You (Part I)
March 4, 2010

Salon: An Evening Celebrating the Arts
Saturday, February 13, 2010
7:30 p.m.

As promised by word of mouth, below is the review of the Salon I hosted almost three weeks ago. I have given myself a two-fold difficult task. One, I am reviewing my own performance. Two, I am commenting on non-musical performances–various demonstrations and readings. The event was a blast, and I hope that this post will act less as a review and more as a remembrance of what happened and as a thank-you to all who performed and attended.

I opened the evening with the first prelude, a fitting beginning, from Bach’s Well-Tempered Clavier. I tried to focus on the clarity of the five-note voicings of each chord. With the repetitive rhythm and arpeggiated pattern, the temptation is to create variety by swelling dramatically in a Romantic style, but I aimed for a more subdued and gentler line of minimal crescendos to let the harmonies themselves create the drama.

After last year’s five serial sketch installments, the Mike Anderson Players returned, featuring Mr. Anderson performing a piece called “Dear Fellow Virginian.” He read an email exchange between novelist Richard Bausch and Senator John Warner of Virginia regarding President Clinton’s impeachment. The email exchange slowly reveals that Senator Warner’s responses were automated. Mark Twain once gave a lecture in which he told the same humorous anecdote five times in a row. The audience was nonplussed after two and three iterations, but by the end, they were in stitches. Like America’s literary jester-king, Mr. Anderson left us laughing.

Mrs. Williamson played Brahms’s Intermezzo, Op. 118, No. 2 in A Major. I thank her for carrying on a private goal of mine to have Bach and Brahms performed at every Salon I host. This piece is one of the most beautiful melodies I know, and I find myself physically unable to play it because I linger on every note, every harmony, my ear never fully satiated. Mrs. Williamson played excellently, especially careful to voice the melody and balance the counter melodies of the middle section. She negotiated the terribly stiff action of the piano, a difficult feat when playing the delicate and intricate Brahms intermezzi.

Mr. Robbins gave a bibliophile’s show-and-tell. He presented five of his hand-made books and explained some of the more striking features like the Coptic binding. After a descriptive bibliography and a mini-biography of each book’s author, he passed the books around for a full sensory experience. Mr. Robbins then read a selection from his chapbook Crass Songs of Sand & Brine, which transported us to the east coast, smelling of the stale beer and sea funk of his yesteryears.

I returned to the piano to introduce a Valentine’s theme, playing Prokofiev’s “The Montagues and Capulets,” a transcription from his ballet Romeo and Juliet. The piece requires orchestral thinking to bring out the colors of the various instruments and to render the full scope of dynamics. In other words, the piece is as challenging technically as it is fun to play in its dangerous gravity. The first section was well-executed, but the coldly formal dance in the middle had flubs that sounded as if Juliet had taken a golf club to the knee and limped back into the first theme. She and I recovered, but the initial magic was lost in the ending.

Part II promises a less tragic ending. Check soon to see the hilarious and charming conclusion of the Salon.